Детище Баланчина в этом году танцует 75 свой сезон.
Вот такие они юные.
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Детище Баланчина в этом году танцует 75 свой сезон.
Вот такие они юные.
Юбилейный ролик
Сезон 24/25.
Что-то Ратманского совсем маловато.
The Season Will Span 21 Weeks of Performances Featuring 58 Ballets, Including 30 Works by NYCB Co-Founder GEORGE BALANCHINE, And 7 Works by Co-Founding Choreographer JEROME ROBBINS
Highlights of the 2024 Fall Season – September 17 through October 13
Annual Fall Gala on Wednesday, October 9 Featuring
World Premiere by CAILI QUAN
NYCB Premiere by GIANNA REISEN
Concerto for Two Pianos by TILER PECK
CELEBRATIONS OF
The 90 th Anniversary of the
Founding of THE SCHOOL OF AMERICAN BALLET
The 50 th Anniversary of
GEORGE BALANCHINE and ALEXANDRA DANILOVA’S full-length Coppélia
The 10 th Anniversary of
JUSTIN PECK’S Appointment as NYCB Resident Choreographer
The Fall Season Will Also Include the NYCB Premiere
of Each In His Own Time by Choreographer LAR LUBOVITCH
Highlights of the 2025 Winter Season – January 21 through March 2
World Premiere Ballets
by NYCB Resident Choreographer JUSTIN PECK
to a Commissioned Score by DAN DEACON
and
NYCB Artist in Residence ALEXEI RATMANSKY
who Will Stage a Suite of Dances from Paquita
A Centennial Tribute to Legendary NYCB Ballerina MARIA TALLCHIEF
in Honor of the 100 th Anniversary of her Birth
Revival of BALANCHINE’S Variations for Orchestra,
the Choreographer’s Final Work, Created in 1982
Revival of BALANCHINE’S Rarely Performed
Variations pour une Porte et un Soupir
Highlights of the 2025 Spring Season – April 22 through June 1
The Stage Premiere of KYLE ABRAHAM’S When We Fell
Originally Created for Film in 2021
The Annual Spring Gala on Thursday, May 8
Featuring BALANCHINE’S Vienna Waltzes
the Lavish Work for Nearly 60 Dancers which is Only Performed by NYCB
A Celebration of the 50 th Anniversary of NYCB’s 1975 Ravel Festival
Featuring Ballets by BALANCHINE and ROBBINS to the Music of MAURICE RAVEL
A Farewell Performance for Principal Dancer ANDREW VEYETTE
Who Will Retire on Sunday, May 25 After Twenty-Five Years With NYCB
George Balanchine’s The Nutcracker ® – November 29, 2024 through January 5, 2025
The 2024-25 Season Will Also Feature
the Company’s Annual Holiday Engagement of
George Balanchine’s The Nutcracker ®
New for the 2024-25 Season
All NYCB Evening Performances Will Begin at 7:30pm
Including Friday and Saturday Nights
Matinees will Remain at 2pm on Saturdays and 3pm on Sundays
New York City Ballet’s 2024-25 Season will open on Tuesday, September 17, 2024 and continue for 21 weeks of performances, through Sunday, June 1, 2025, at the David H. Koch Theater at Lincoln Center.
The season, with programming curated by NYCB Associate Artistic Director Wendy Whelan, in collaboration with Artistic Director Jonathan Stafford and Resident Choreographer and Artistic Advisor Justin Peck, will feature nearly 60 ballets including three world premiere ballets and three works new to NYCB’s stages.
“For our 2024-25 Season, we look forward to presenting a rich selection of work from our extraordinary repertory,” said NYCB Artistic Director Jonathan Stafford and Associate Artistic Director Wendy Whelan. “From the beloved masterpieces of George Balanchine and Jerome Robbins, to exciting new works, anniversary celebrations, and several ballets returning to our stage for the first time in decades, it’s a season that will build on the success of our current 75 th anniversary season, and continue to move
New York City Ballet into the future.”
The new works for the 2024 Fall Season will include a World Premiere by choreographer Caili Quan, who will be making her first work for NYCB; and the NYCB Premiere of choreographer Gianna Reisen’s Signs, originally created for the School of American Ballet Workshop in 2022. The Fall Season will also feature the NYCB premiere of choreographer Lar Lubovitch’s Each In His Own Time, which was originally created for City Center’s Fall for Dance Festival in 2021 where it was performed by NYCB Principal Dancers Adrian Danchig-Waring and Joseph Gordon.
New works for the 2025 Winter Season will include World Premiere Ballets by NYCB Resident Choreographer Justin Peck, who will make his 25 th work for NYCB, and NYCB Artist in Residence Alexei Ratmansky, who will make his 8 th work for the Company.
The 2025 Spring Season will include the stage premiere of Kyle Abraham’s When We Fell, which as created for film during a NYCB residency at the Kaatsbaan Cultural Park in 2021 when live performances could not take place due to COVID. Originally filmed on location at the David H. Koch Theater, and set to music by composers Morton Feldman, Jason Moran, and Nico Muhly, When We Fell will be performed onstage for the first time during the 2025 Spring Season.
THE 2024-25 SEASON WILL ALSO INCLUDE 30 BALLETS BY NYCB CO-FOUNDER GEORGE BALANCHINE, 7 BALLETS BY NYCB CO-FOUNDING CHOREOGRAPHER JEROME ROBBINS, AND ADDITIONAL WORKS BY CHOREOGRAPHERS JUSTIN PECK, ALEXEI RATMANSKY, TILER PECK, LYNNE TAYLOR-CORBETT, AND CHRISTOPHER WHEELDON.
Additionally, the season will include four full-length works including the annual holiday engagement of George Balanchine’s The Nutcracker®; a special 50 th anniversary engagement of George Balanchine and Alexandra Danilova’s Coppélia during the 2024 Fall Season; a two-week engagement of Peter Martins’ staging of Tschaikovsky’s Swan Lake to close the 2025 Winter Season; and a one-week engagement of Balanchine’s A Midsummer Night’s Dream to close the 2025 Spring Season.
All performances will be accompanied by the 62-piece New York City Ballet Orchestra under the leadership of Music Director Andrew Litton.
During the 2024-25 Season NYCB will also adjust its curtain times, with all evening performances now beginning at 7:30pm, including Friday and Saturday nights. (Tuesday, Wednesday, and Thursday evening curtain times will remain at 7:30pm, and matinee curtain times will remain at 2pm on Saturdays and 3pm on Sundays.) “Previously our Friday and Saturday evening performances began at 8pm, but after surveying both new and long-time audience members and with feedback from our artistic and production teams we have concluded that the earlier curtain time on Friday and Saturday evenings would be a welcome
change,” said Katherine Brown, Executive Director of New York City Ballet and the David H. Koch Theater.
n addition, during the 2024-25 season, approximately 40% of NYCB’s repertory performances will include only one intermission. “We want to be open to the changing demands on the daily schedules of our audience members, and it is our goal to make the experience of attending a performance at NYCB as convenient as possible, while also providing the same rich, artistic experience that has made the Company one of city’s premier cultural attractions for more than seven decades,” said Brown.
FALL SEASON – SEPTEMBER 17 THROUGH OCTOBER 13, 2024
Fall Fashion Gala on Wednesday, October 9 – Featuring a World Premiere by Caili Quan,
NYCB Premiere of Signs by Gianna Reisen, and Tiler Peck’s Concerto for Two Pianos
NYCB Premiere of Lar Lubovitch’s Each In His Own Time
10 th Anniversary of Justin Peck’s Appointment as NYCB Resident Choreographer
50 th Anniversary of George Balanchine and Alexandra Danilova’s Full-length Coppélia
90 th Anniversary of the Founding of the School of American Ballet
NYCB’s 2024-25 Season will begin with a four-week Fall Season that will open on Tuesday, September 17 with a program consisting of works by NYCB’s Co-Founding Choreographers George Balanchine and Jerome Robbins, including Balanchine’s Tschaikovsky Piano Concerto No. 2 and Duo Concertant, and Robbins’ Glass Pieces.
The season will continue with a program debuting on Thursday, September 19 featuring the NYCB Premiere of Lar Lubovitch’s Each In His Own Time, a work created for City Center’s Fall For Dance Festival in 2021. Originally made for NYCB Principal Dancers Adrian Danchig-Waring and Joseph Gordon, Lubovitch’s piece is set to selections from Brahms’ Eight Piano Pieces (Op 76), performed by an onstage pianist. Each In His Own Time is the second work by Lubovitch to enter the repertory of NYCB; the first, Rhapsody in Blue, was created for the American Music Festival in 1988. In addition to work for his eponymous company, which was founded in 1968, Lubovitch has worked with dance companies around the world, and has also choreographed for television, film, and Broadway.
Each In His Own Time will be included on a program with Balanchine’s Divertimento from “Le Baiser de la Fée,” Robbins’ The Four Seasons, and Christopher Wheeldon’s This Bitter Earth.
FALL FASHION GALA
On Wednesday, October 9, the Company will present its annual Fall Fashion Gala, featuring a World Premiere ballet by Caili Quan, the New York-based choreographer and former dancer with BalletX. She has created works for numerous institutions including BalletX, The Juilliard School, American Repertory Ballet, and Vail Dance Festival, where she was a 2022 Artist-in-Residence. Quan also participated in the fall 2022 Working Session of the New York Choreographic Institute, an affiliate of NYCB. Quan’s premiere will be set to Cello Concerto No.1 by Camille Saint-Saëns. (The costume designer will be nnounced at a later date.)
The gala evening will also include the NYCB Premiere of Gianna Reisen’s Signs, which was originally created for the School of American Ballet Workshop in 2022, and is set to music by Philip Glass.
The final ballet of the gala evening will be Tiler Peck’s Concerto for Two Pianos, which premiered during NYCB’s 2024 Winter Season, and features costumes by the acclaimed American fashion designer Zac Posen and lighting by Brandon Stirling Baker.
NYCB’s Fall Fashion Gala was conceived by NYCB Board Vice Chair Sarah Jessica Parker, and launched in 2012 with a gala celebration of the legendary designer Valentino. The event has since featured costumes designed by more than 30 fashion designers including Virgil Abloh, Thom Browne, Sarah Burton, Giles Deacon, Prabal Gurung, Carolina Herrera, Mary Katrantzou, Humberto Leon, Narciso Rodriguez, Anna Sui, Iris van Herpen, and Dries Van Noten. Since its inception the annual event has raised more than $30 million for New York City Ballet.
А пока Ратманский с Марголис борются с российским балетом в Риме, на месте постоянной прописки Ратманского дают совсем уж русский балет.
Да ещё и с новыми костюмами.
"Жар-птица". Страинский/Баланчин/Роббинс
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